Showing posts with label Rong Rong. Show all posts
Showing posts with label Rong Rong. Show all posts

Friday, November 23, 2007

Artist: Rong Rong

Biography
1968 - Born in Zhangzhou, Fujian, China
1986 - Studied Painting at Fujian Industrial Art Institute
Lives and works in Beijing

From the series East Village Beijing
1994-1995
Photograph

Rong Rong documented the artist community gathered in the East Village outside Beijing during the 1990s. He photographed artist performances, one of the most famous being Zhang Huan's 12 Square Meters.


Beijing No 2
1997
Photograph

Rong Rong embarked on a series of photographs showing the ruins and the dilapidated landscape of Beijing.


Rong Rong and inri
in Bad Goisern, Austria, No. 6
2001
Hand-colored silver gelatin print

Since 2000, he collaborates with his wife, i n r i. A gallery states, "Rong Rong and i n r i became archetypal figures in scenarios of their own devising. Shedding their individual identities as husband and wife and residents of Beijing, they became primal figures at the birth of time, notable for their frailty and diminutive scale before the majesty of nature."


Rong Rong and i n r i
Liu Li Tun Migration
2002
Gelatin Silver Print

"The artists document their short life together in the modest house that they shared for a short but crucial time in their lives. Photographs of details from their daily life complement evocative photographs of social gatherings and art world visitors posing in front of the front door of their house. Finally, dressed in dark clothes and offering bouquets of lilies, they record the process of demolition until all that is left is a pile of rubble."

Artist: i n r i

Biography
1973 - Born in Kanagawa, Japan
1992 - Graduated Nippon Photography Institute, Tokyo, Japan
Lives and works in Beijing

From the series Gray Zone
1998-1999
Photograph

i n r i began her career as a celebrity photographer, but in 1997 she quit her job and "turned her camera on the semi-abstract shadows of the Tokyo cityscape, on the emotional vicissitudes of the human form, and to documenting performance works that explored both of these subjects" states The Chicago Journal.


From the series MAXIMAX
1998
Photograph

"Her 1998 series MAXIMAX documents a performance in which a model, clad all in white and ensconced in a white room with a white bed, progressively stains herself and her environment with bright red paint."


From the series 1999, Tokyo
1999
Photograph

Her series 1999, Tokyo "pursues a model through the city's crumbling, nondescript backstreets, portraying her hunched in corners or zeroing in on individual body parts."