Hello everyone!
Taking a short break for the holidays, will post again after the new year. In the meantime, please go visit Altered States, Asia Society's exhibition of works by Zhang Huan. The show is up until January 20, 2008.
The Asia Society is located at 725 Park Avenue.
$10 general admission
$7 for seniors
$5 for students with ID
Free for members and children
Free Fridays from 6 pm to 9 pm. Plus, go now and you will receive a pass for free admission the next time you visit. So please go multiple times!
For more information about the exhibit, visit the website!
Sunday, December 23, 2007
Wednesday, December 19, 2007
Artist: Bird Head
Bird Head is the name of the two-person photography team Song Tao and Ji Weiyu.
Biography
1979 - Ji Weiyu born in Shanghai, China
1980 - Song Tao born in Shanghai, China
2000 - Both graduated from the Shanghai Arts and Crafts School, China
Live and work in Shanghai, China
Biography
1979 - Ji Weiyu born in Shanghai, China
1980 - Song Tao born in Shanghai, China
2000 - Both graduated from the Shanghai Arts and Crafts School, China
Live and work in Shanghai, China
According to ShangART, Bird Head works "with the theme of the city and life in the city." Photographs include pictures taken of each other and scenes with both Ji Weiyu and Song Tao against a city backdrop.
Sunday, December 16, 2007
Artist: Young-Hae Chang Heavy Industries
1999 - Founded in Seoul, South Korea by Marc Voge (American) and Young-Hae Chang (Korean)
Based in Seoul, South Korea
In an interview, YHCHI described thier work as a combination of "text with jazz to create Flash pieces. It's a simple technique that shuns interactivity, graphics, photos, illustrations, banners, colors, and all but the Monaco font, and at the same time cuts across the lines separating digital animation, motion graphics, experimental video, i-movies, and e-poetry. To us, though, it's Web art."
Usually the works use terse prose to tell a simple, but captivating vignette, such as Miss DMZ.
For more of thier works, please visit thier website.
Saturday, December 15, 2007
Artist: Patty Chang
Biography
1972 - Born in San Francisco, CA
1994 - BA from UC San Diego, CA
Lives and works in New York, NY
According to The New York Times, "Patty Chang's early filmed and photographed performances were hair-raisingly narcissistic. As in a mirror, she was always the subject. In one piece, she exchanged a passionate kiss with her own face reflected in water. In another, she seemed to engage in intimate lip-to-lip contact with her mother and father. In a third, she ate a melon inserted in one side of her bra, as if she were devouring her own breast."
Check out this short documentary on her work!
"Having won out in an insane marketing battle among a dozen rural towns claiming to be the same, nonexistent earthly paradise, the lucky town of Zhongdian was finally christened by the Chinese government as the "genuine" Shangri-la in 1997," Papermag.com writes. In her 2005 video Shangri-la, Chang documents her journey to Zhongdian. "As part of her visually spectacular but completely ridiculous project, Chang also created a number of objects to help her tell the story of this strange, fake place -- like a model of an oxygen chamber used to treat altitude sickness."
1972 - Born in San Francisco, CA
1994 - BA from UC San Diego, CA
Lives and works in New York, NY
According to The New York Times, "Patty Chang's early filmed and photographed performances were hair-raisingly narcissistic. As in a mirror, she was always the subject. In one piece, she exchanged a passionate kiss with her own face reflected in water. In another, she seemed to engage in intimate lip-to-lip contact with her mother and father. In a third, she ate a melon inserted in one side of her bra, as if she were devouring her own breast."
Check out this short documentary on her work!
"Having won out in an insane marketing battle among a dozen rural towns claiming to be the same, nonexistent earthly paradise, the lucky town of Zhongdian was finally christened by the Chinese government as the "genuine" Shangri-la in 1997," Papermag.com writes. In her 2005 video Shangri-la, Chang documents her journey to Zhongdian. "As part of her visually spectacular but completely ridiculous project, Chang also created a number of objects to help her tell the story of this strange, fake place -- like a model of an oxygen chamber used to treat altitude sickness."
Tuesday, December 11, 2007
Event: Watch a film at the Asia Society
Secret Sunshine (Miryang) directed by Lee Chang-dong shows at the Asia Society in New York on December 19, 2007.
The International Herald Tribune states that the film "is mysterious and terrifying. At times, it feels like a thriller, with surprising twists, but it has a hidden core. It is a story of faith, how it can enter a life, and how it can vanish."
The Asia Society is located at 725 Park Avenue.
$10 for members, Asian Cinevision (code: AC635), students, seniors
$12 for nonmembers
Watch the trailer!
The International Herald Tribune states that the film "is mysterious and terrifying. At times, it feels like a thriller, with surprising twists, but it has a hidden core. It is a story of faith, how it can enter a life, and how it can vanish."
The Asia Society is located at 725 Park Avenue.
$10 for members, Asian Cinevision (code: AC635), students, seniors
$12 for nonmembers
Watch the trailer!
Monday, December 10, 2007
Artist: Wang Guangyi
Biography
1957 - Born in Harbin, Heilongjiang, China
1984 - Graduated from the Oil Painting Deapartmetn at Zhejiang Academy of FIne Arts
Lives and works in Beijing
Wang Guanyi works in the style of political pop, a unique melding of Cultural Revolution propaganda with formal and stylistic appropriations from American Pop Art. Perhaps the most recognizable of his work is The Great Criticism series, begun in 1990. Wang Guangyi emblazons each painting in this series with a Western brand, showing the antagonism between socialism and capitalism.
1957 - Born in Harbin, Heilongjiang, China
1984 - Graduated from the Oil Painting Deapartmetn at Zhejiang Academy of FIne Arts
Lives and works in Beijing
Wang Guanyi works in the style of political pop, a unique melding of Cultural Revolution propaganda with formal and stylistic appropriations from American Pop Art. Perhaps the most recognizable of his work is The Great Criticism series, begun in 1990. Wang Guangyi emblazons each painting in this series with a Western brand, showing the antagonism between socialism and capitalism.
Thursday, December 6, 2007
Has China Entered a Bear Market?
Two Zhang Xiaogang paintings fail to sell at Beijing Poly International Auction's November 29, 2007 evening sale, according to Bloomberg.com.
"Last week's sale contrasted with Poly's first night auction in June, when three of every four paintings on offer reached or exceeded their high estimates. The Chinese central bank raised the key lending rate to a nine-year high on Sept. 14, slowing the flow of money into the equity, real estate and art markets.
China's CSI 300 Index completed its steepest monthly plunge since at least 1995 on the day of Poly's sale, falling 2.2 percent to 4,737.41, a drop of 16.7 percent for November. The index has plummeted almost 20 percent since a record high on Oct. 16, wiping out about 4.67 trillion yuan of market capitalization, according to Bloomberg data."
Wednesday, December 5, 2007
Event: Irene Kung at Goedhuis Contemporary
December 8th is the last day to visit the Irene Kung exhibition of photographs at the Goedhuis Contemporary Gallery.
2007D-Print on Rag Paper
Goedhuis Contemporary is located at 42 East 76th Street.
Monday, December 3, 2007
Artist: Paul Chan
Biography
1973 - Born in Hong Kong
1996 - BFA for Video/Digital Arts from Art Institute of Chicago
2002 - MFA for Film/Video/New Media from Bard College
The Whitney states, "Paul Chan keeps his art and his politics separate, or at least he claims to. He has been involved in the aid group Voices in the Wilderness (with whom he spent an unsanctioned month in Iraq) and participated in creating The People's Guide to the Republican National Convention (an agitprop map of New York City for use by protesters in 2004). Yet while such activities may not appear to directly inform his art practice, they tie into his general insistence on "hallucinating" repressed relationships in contemporary society: between the sacred and the secular, the high and the low, the poetic and the pornographic."
Chan projects his animation onto a double-sided screen. The Village Voice describes the scene: "Early on, a vulture pilfers Biggie Smalls's coat and brings it to a naked man (supposedly Pasolini) on the reverse screen. Later, photographers fire flashbulbs, lovers kiss, and hunters kill the birds. In one of the seven sequences, reams of paper blow through the air in a Jeff Wall/Hiroshige-like tempest. Finally, an army of suicide bombers triggers an Armageddon. All this to the sound of chirping birds and ringing cell phones."
The Institute of Contemporary Art/Boston states that "the simple but dramatic silhouettes depict an idiosyncratic, post-9/11 vision of the Christian Rapture. As shadowy bodies fall and earthly objects rise to the heavens, the work addresses the meaning of salvation and faith in an era dominated by war, consumerism and terror."
A short clip of this piece form the 2006 Whitney Biennial.
Check out his project www.nationalphilistine.com
1973 - Born in Hong Kong
1996 - BFA for Video/Digital Arts from Art Institute of Chicago
2002 - MFA for Film/Video/New Media from Bard College
The Whitney states, "Paul Chan keeps his art and his politics separate, or at least he claims to. He has been involved in the aid group Voices in the Wilderness (with whom he spent an unsanctioned month in Iraq) and participated in creating The People's Guide to the Republican National Convention (an agitprop map of New York City for use by protesters in 2004). Yet while such activities may not appear to directly inform his art practice, they tie into his general insistence on "hallucinating" repressed relationships in contemporary society: between the sacred and the secular, the high and the low, the poetic and the pornographic."
Chan projects his animation onto a double-sided screen. The Village Voice describes the scene: "Early on, a vulture pilfers Biggie Smalls's coat and brings it to a naked man (supposedly Pasolini) on the reverse screen. Later, photographers fire flashbulbs, lovers kiss, and hunters kill the birds. In one of the seven sequences, reams of paper blow through the air in a Jeff Wall/Hiroshige-like tempest. Finally, an army of suicide bombers triggers an Armageddon. All this to the sound of chirping birds and ringing cell phones."
The Institute of Contemporary Art/Boston states that "the simple but dramatic silhouettes depict an idiosyncratic, post-9/11 vision of the Christian Rapture. As shadowy bodies fall and earthly objects rise to the heavens, the work addresses the meaning of salvation and faith in an era dominated by war, consumerism and terror."
A short clip of this piece form the 2006 Whitney Biennial.
Check out his project www.nationalphilistine.com
Sunday, December 2, 2007
Today in The New York Times: Paul Chan
Paul Chan's "Waiting for Godot" makes it onto the cover of the Sunday Arts & Leisure section of The New York Times today. What's awesome about Chan's production is that it takes place outdoors. It set in a New Orleans street lined with desolate houses and debris, the still-unresolved aftermath of Hurricane Katrina.
Friday, November 30, 2007
Event: Art on Screen 2007
A film festival showing highlights from the 25th Montreal International Festival of Films on Art (FIFA).
When: November 30 - December 2
Where: The Paley Center for Media in New York
25 West 52 Street (between 5th and 6th Avenues)
$8 with discount code FIFA
$5 for students with discount code STUDENT
Go see Yang Ban Xi: The 8 Model Works directed by Yan Ting Yuen
"Mao meets Busby Berkeley meets hip-hop in this resurgence of revolutionary Chinese opera."
When: November 30 - December 2
Where: The Paley Center for Media in New York
25 West 52 Street (between 5th and 6th Avenues)
$8 with discount code FIFA
$5 for students with discount code STUDENT
Go see Yang Ban Xi: The 8 Model Works directed by Yan Ting Yuen
"Mao meets Busby Berkeley meets hip-hop in this resurgence of revolutionary Chinese opera."
Thursday, November 29, 2007
New record for Contemporary Chinese Art at Auction
Cai Guo Qiang's Drawing for Asia-Pacific Economic Cooperation, a series of 14 works of gunpowder on paper sold for $9,652,175 at Christie's Hong Kong on November 25, 2007.
He is now the highest selling contemporary Chinese artists at auction, beating out former leader, Yue Minjun, whose Execution sold for $5,964,700.
$10 million paper! Back in 2000, a copy of the Declaration of Independence sold for $7.4 million. And in December this year, Sotheby's is going to auction a copy of the Magna Carta, estimated to bring in $20 million to $30 million. In this age of going green, I say we just recycle it all for sustainable living.
He is now the highest selling contemporary Chinese artists at auction, beating out former leader, Yue Minjun, whose Execution sold for $5,964,700.
$10 million paper! Back in 2000, a copy of the Declaration of Independence sold for $7.4 million. And in December this year, Sotheby's is going to auction a copy of the Magna Carta, estimated to bring in $20 million to $30 million. In this age of going green, I say we just recycle it all for sustainable living.
Event: Chance to win a free skateboard
OUR ART SITE DOT COM is giving away a free enjoi skateboard designed and signed by Michael Hsiung.
"What do you have to do to become instantly cool? Simply dress up and try and pass yourself off as The Michael C. Hsiung and send us a photo. The best photo will be picked, presented on the site in all its glory, and a shinny new deck will be yours in the mail the next day. That's it! So grab your father's mustache off his face, hang around some Asians for a few days and make sure to bring your camera!"
Contest runs until December 1, 2007.
For rules of entry and more details, visit OUR ART SITE DOT COM.
"What do you have to do to become instantly cool? Simply dress up and try and pass yourself off as The Michael C. Hsiung and send us a photo. The best photo will be picked, presented on the site in all its glory, and a shinny new deck will be yours in the mail the next day. That's it! So grab your father's mustache off his face, hang around some Asians for a few days and make sure to bring your camera!"
Contest runs until December 1, 2007.
For rules of entry and more details, visit OUR ART SITE DOT COM.
Wednesday, November 28, 2007
Artist: Michael Hsiung
30ish, Chinese and mustachioed, Micheal Hsiung's art "addresses gender roles/gender assignment given to mermen, the fragility of unicorn/panda dynamics, domestic violence between centaurs and unitaurs and the underlying threads of violence and danger that underpin all other-worldly societies."
Some of these themes appear in his designs for enjoi's 2007 Holiday line.
Scenes from a Distraught Man trying to cure his Diseased Warthog
Some of these themes appear in his designs for enjoi's 2007 Holiday line.
Hsiung's pen drawings usually depict odd, humorous scenarios rendered in a freakishly childlike manner. In an interview with Virb, Michael Hsiung admits, "I have a retarded 8 year old boy living with me. I give him an oreo cookie everytime he draws me a picture."
Scenes from a Distraught Man trying to cure his Diseased Warthog
Tuesday, November 27, 2007
Artist: Ken Hiratsuka
Biography
1959 - Born in Shimodate City, Ibaraki, Japan
1982 - BA in Sculpture from Musashino University, Tokyo, Japan
Lives and works in New York City
Sculptor Ken Hiratsuka uses hammer and chisel to cut "oneline design - a single continuous line carving chiselled by hand, guided by a fluid, oceanic imagery."
He also works in other mediums.
1959 - Born in Shimodate City, Ibaraki, Japan
1982 - BA in Sculpture from Musashino University, Tokyo, Japan
Lives and works in New York City
Sculptor Ken Hiratsuka uses hammer and chisel to cut "oneline design - a single continuous line carving chiselled by hand, guided by a fluid, oceanic imagery."
He also works in other mediums.
Friday, November 23, 2007
Artist: Rong Rong
Biography
1968 - Born in Zhangzhou, Fujian, China
1986 - Studied Painting at Fujian Industrial Art Institute
Lives and works in Beijing
Rong Rong documented the artist community gathered in the East Village outside Beijing during the 1990s. He photographed artist performances, one of the most famous being Zhang Huan's 12 Square Meters.
Rong Rong embarked on a series of photographs showing the ruins and the dilapidated landscape of Beijing.
Since 2000, he collaborates with his wife, i n r i. A gallery states, "Rong Rong and i n r i became archetypal figures in scenarios of their own devising. Shedding their individual identities as husband and wife and residents of Beijing, they became primal figures at the birth of time, notable for their frailty and diminutive scale before the majesty of nature."
"The artists document their short life together in the modest house that they shared for a short but crucial time in their lives. Photographs of details from their daily life complement evocative photographs of social gatherings and art world visitors posing in front of the front door of their house. Finally, dressed in dark clothes and offering bouquets of lilies, they record the process of demolition until all that is left is a pile of rubble."
1968 - Born in Zhangzhou, Fujian, China
1986 - Studied Painting at Fujian Industrial Art Institute
Lives and works in Beijing
Rong Rong documented the artist community gathered in the East Village outside Beijing during the 1990s. He photographed artist performances, one of the most famous being Zhang Huan's 12 Square Meters.
Rong Rong embarked on a series of photographs showing the ruins and the dilapidated landscape of Beijing.
Since 2000, he collaborates with his wife, i n r i. A gallery states, "Rong Rong and i n r i became archetypal figures in scenarios of their own devising. Shedding their individual identities as husband and wife and residents of Beijing, they became primal figures at the birth of time, notable for their frailty and diminutive scale before the majesty of nature."
"The artists document their short life together in the modest house that they shared for a short but crucial time in their lives. Photographs of details from their daily life complement evocative photographs of social gatherings and art world visitors posing in front of the front door of their house. Finally, dressed in dark clothes and offering bouquets of lilies, they record the process of demolition until all that is left is a pile of rubble."
Labels:
contemporary Chinese art,
inri,
photography,
Rong Rong
Artist: i n r i
Biography
1973 - Born in Kanagawa, Japan
1992 - Graduated Nippon Photography Institute, Tokyo, Japan
Lives and works in Beijing
i n r i began her career as a celebrity photographer, but in 1997 she quit her job and "turned her camera on the semi-abstract shadows of the Tokyo cityscape, on the emotional vicissitudes of the human form, and to documenting performance works that explored both of these subjects" states The Chicago Journal.
"Her 1998 series MAXIMAX documents a performance in which a model, clad all in white and ensconced in a white room with a white bed, progressively stains herself and her environment with bright red paint."
Her series 1999, Tokyo "pursues a model through the city's crumbling, nondescript backstreets, portraying her hunched in corners or zeroing in on individual body parts."
1973 - Born in Kanagawa, Japan
1992 - Graduated Nippon Photography Institute, Tokyo, Japan
Lives and works in Beijing
i n r i began her career as a celebrity photographer, but in 1997 she quit her job and "turned her camera on the semi-abstract shadows of the Tokyo cityscape, on the emotional vicissitudes of the human form, and to documenting performance works that explored both of these subjects" states The Chicago Journal.
"Her 1998 series MAXIMAX documents a performance in which a model, clad all in white and ensconced in a white room with a white bed, progressively stains herself and her environment with bright red paint."
Her series 1999, Tokyo "pursues a model through the city's crumbling, nondescript backstreets, portraying her hunched in corners or zeroing in on individual body parts."
Sunday, November 18, 2007
Artist: Patray Lui
Biography
1980 - Born in Hong Kong
2003 - BA in Environmental Design from Hong Kong Polytechnic University, Hong Kong
2005 - MA in Interaction Design from Institute Ivrea, Italy
Lives and works in the Netherlands
Patray Lui's Le Avventure del Cane Picio (The Adventures of Dog Picio), according to startdrawing.org, "is inspired by her everyday life experience with some fantasies. The ongoing project records the different pieces of her life, no matter happy or sad, in a way that can bring a smile to audiences."
Check out Patray Lui's blog for continued updates on Picio!
1980 - Born in Hong Kong
2003 - BA in Environmental Design from Hong Kong Polytechnic University, Hong Kong
2005 - MA in Interaction Design from Institute Ivrea, Italy
Lives and works in the Netherlands
Patray Lui's Le Avventure del Cane Picio (The Adventures of Dog Picio), according to startdrawing.org, "is inspired by her everyday life experience with some fantasies. The ongoing project records the different pieces of her life, no matter happy or sad, in a way that can bring a smile to audiences."
Check out Patray Lui's blog for continued updates on Picio!
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